Tartaria oblong tablet with hole, Linear A,B approach

AKNOWLEDGEMENT

This page must be understood to be kind of testing, as to check in wich measure, or how close the supposed Tartaria tablet writing goes toward, or fitting the Aegean-one. You must know that the signs on the tablets are closest to sumerian proto-cuneiform ones. Then follow at the same level Anatolian and Aegean writings. The conclusion is:                                                                                 - there is no genuine sumerian nor genuine Aegean writing on tablets.                                  MANY ASSYROLOGISTS (AND ME ALSO) SUSTAIN AN QUASI-SUMERIAN WRITING        But no wonder, is reflecting an Anatolian-European continuum, and there would be a simple explanation for this fact:                                                                                  Possible as hypothesised Mr.I.Kenanidis and G.Papakitsos, the Minoans were early sumerian migrants.
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TARTARIA SQUARED TABLET WITH HOLE/2018 Linear A/B approach
Image from ESCRITURA DE TARTARIA http://www.proel.org/index.php?pagina=alfabetos/tartaria



We have upper-left side, those D-s (3 signs)
(In close shape, but by imprinting, sumerians used to express numbers.



Were found in economic transactions.Signs are not imprinted as in sumerian (cuneus cuneiform) technique with the opposite edge of sharpened-one edge of stylus, so I wonder if  the writer was a native sumerian.
From https://www.voceavalcii.ro/39794-decrypting-of-tartaria-inscription-part-2-rectangular-amulet.html
Here maybe No.2, where the indication line is black.

See A Comparative Linguistic Study about the Sumerian Influence on the ...  https://www.researchgate.net/.../273885539_A_Comparative_Linguistic_Study_about_t...A Comparative Linguistic Study about the Sumerian Influence on the Creation of the Aegean Scripts.
Minoan Sumerian | Giannhs Kenanidhs - Academia.edu www.academia.edu/11423494/Minoan_Sumerian
Aegean scripts used this sign only as volume units, but HORIZONTALY ! Image from RICHARD VALLANCE Blog : https://linearbknossosmycenae.files.wordpress.com

1. 
2. Those 3 signs, could be (as in sumerian) number 3 or 30.                                                    (Rumen Kolev http://www.su -varna.org/izdanij/Magazin%201%20conf/Pages%20from%2046%20to%2053.pdf interpretation:"3 months")                                                           --------------------------------------------------------------------------------
3. Close to these signs, downward, we have sign No.1 as ear of cereal
4.  
5. 
6. Usually associated with agriculural products as barley:                                                       Image,from http://www.mesopotamia.co.uk/writing/story/page06.html
7.   From http://people.ku.edu/~jyounger/LinearA/

LINEAR A *04 (TE), common
In linear B,

Linear B, Cretan“TE” “Wheat“
https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRykURVevP7C91htJQXSWtUoIKlv_VE7Zk8RacOILleQApR07vw
Note that this sign rather pertain to proto-writing. Cause in linear B we have signs for specific kind of grains (wheat visa barley):
https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRHPdQSYyE8qr4n115PLPH_UBTyeNB9XKrQDADDWG3bdzC2-UEQZQ
Together those 2 signs,could be interpreted as                                                                                        “3 /volume measures of some sort of grain”(gr.sitos) ?"                                                      (Rumen Kolev http://www.su-varna.org/izdanij/Magazin%201%20conf/Pages%20from%2046%20to%2053.pdf interpretation, with the sign underneath:"3-months corn in the temple"   =====================================================
Next downward,this Y-shaped sign (! drawn separately in a box !)will see what could be.

1. (sign No.3)

Table from https://www.researchgate.net/figure/The-Cretan-Hieroglyphic-table-of-signs-as-suggested-in-the-inscriptions-corpus-Olivier_fig3_273096050

 No.019 ;024 ?                                                                                                                                                        Y-sign= linear B= “SA”?
From http://www.ancientscripts.com/lineara.html “Once again applying Linear B reading to the previous Linear A texts, we see the sign sequence ja-sa-sa-ra-me. This sequence is very interesting because it appears very often in many other such votive inscriptions in slightly different variants.



FINAL READING: "SA"                                                                                                                            From   http://people.ku.edu/~jyounger/LinearA/                                                                      *31, SA, perhaps a logogram for *SA-SA-ME?;
From http://people.ku.edu/~jyounger/LinearA/                                                                                      JOHN JOUNGER SA (HT 114b.1) or SI (HT 30.1) = paid?
sign SA, :"PAID"
========================================================                                     Next, to the right, vertical separation line ! sign 4



Next,downward, folow a sign No.4
wich ressemble violin,labrys?/ 2 merged lozenges ?;

 

Note: the sign  is repeated as the last sign on the tablet
Close to the cretan hierogliphic sign 042 (Labrys) <see table above>
https://linearbknossosmycenae.wordpress.com/tag/syllabic-scripts/page/19/?iframe=true&preview=true%2Ffeed%2F
https://enijote.wordpress.com/2017/11/25/double-axes-and-the-limits-of-knowledge/
Not much to see.  But here’s its Linear A counterpart:
The sine qua non is the interpretation of labyrinth as “Place of the Double Axes,
The Cretan Hieroglyphic evidence is even more explicit:
https://www.pinterest.com/pin/464222674072955464/
There are saying that the sign is at the origin of "A":
https://ro.pinterest.com/pin/464222674081607244/
https://linearbknossosmycenae.wordpress.com/tag/syllabic-scripts/page/19/?iframe=true&preview=true%2Ffeed%2F
From Essays on Ancient Anatolia in the Second Millennium B.C. https://books.google.ro/books?isbn=3447039671
Prince Mikasa no Miya Takahito (son of Taishō, Emperor of Japan) - 1998 - ‎Civilization, Assyro-Babylonian
reconstructed an IE *peleku14 of sacred use that would go back to a pre-IE digging implement of the Mesolithic of NW Europe and pre-Mesolithic ... Mycenaean dapur-, Hittite tabarna/tla- barna/labarna(s) from a Sumerian balag, Assyrian pilakku, Sanskrit paraqu, Greek pelekus, designating a certain type of axe.
By one side, the sign has the exact shape of the sumerian proto-cuneiform sign "AB=house,temple" and by the other side labrys is the king,divinity icon, and present in most of the minoan temple/shrines, especially in Minos palace. So could be the house of the labrys :LABYRINTHOS. ICON RELATED EITHER TO LABRYS AND ITS HOUSE, LABYRINTHOS                                                                                                                                        (Rumen Kolev:"temple",good!) 
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Next, an insect/miriapod-like sign !?! is found in more and less simylar shape all over:
As a refference, Sumerian “DINGIR”/God/sky    From https://cdli.ucla.edu/tools/signlists/protocuneiform/archsigns.html  sign "AN"
                                                                 
And sum.AN:”God,Heaven”
But! If URUK “dingir” has 8-11 spikes our sign have 12 (limbs)
Note that is not in a shape of wheat-ear or plant but is in a star-like shape.The difference in “spikes” number is not much problematic in my opinion.So why not,or possible to be something star-like i.e. “a GOD”?   But much,much close,(if rotated 90deg)    (count the number of lines! totaly 12 in sumerian sign as in our)                           ------------------------------------------------------------------
From http://www.namuseum.gr/collections/prehistorical/mycenian/mycenian13-en.html
“KE”? (2-nd in the first row) ??

Final interpretation of the sign: "GOD, HEAVEN" ,"SKY-GOD"                                                    (Rumen Kolev rendering:"Sun")                                                                                                            --------------------------------------------------------------------
Next, donkey head-like picture or sign shape.In sumerian the sign was AMAR:"CALF", but minoans took the sign and changed finaly to a kat-like shape.
 LINEAR B “MA”
Note the scribal hand sign Ma with big ears as in our tablet!
Final reading of the sign: MA, beeing rebus for A-MA, MOTHER-GODDESS                                   (Rumen Kolev rendering:"bull Enlil")                                                                                        ------------------------------------------------
Second sign from the end backward,right edge,upper sign.Sincerely at this sign I run out of… resources.

Sign Mo, MU !
See the paper: BUCRANIUM SYMBOL AND SIGN Cornelia-Magda Lazarovici, Gheorghe Corneliu ... - Arheovest  arheovest.com/simpozion/arheovest3/03.pdf
"In Vinca-Turdas culture were found hundreds of artefacts of different kinds with the shape of a bucranium (bull-head). Or shape intricated or depicted in a way or another in them."
The horned-head as poor as is depicted could be that of a bull. Especially cause of the sturdy/massif head.
But I explain why radher is bull. 
(Rumen Kolev http://www.su-varna.org/izdanij/Magazin%201%20conf/Pages%20from%2046%20to%2053.pdf rendering "bull" and the underneath sign "in/of/for the sacrifice"!?)
Cause the Bull was related to Gods/SUN and rullers (MinoTAUR).
As in ancient East the bull was associated with the Sun.
And downward we have the very icon of  ruller Minos the DOUBLE-AX shape,
By sumerians bull head associated with double ax-shape was
Sign AMAR sign AB
Meaning         Bull-calf   House/abode

(By sumerians, those pair-signs, bull-temple, ment       "NERGAL "     (a pair of the Sun, underground hypostasis)
(the fierry hott Sun of the mid-day time, later an underwold&death GOD(dess)
So, we have the heavenly Bull=SUN asociated with his GOD/royal sign LABRYS and his temple-house LABYRINTHOS
As Zeus Labraundos,Keraunos was depicted with the axe in his hand.
In this case nothing is necessary to be added and those signs don’t need to be much comented/translated or interpreted, it could be,

AN OFFERING, SACRIFICE on THE SHRINE,TEMPLE TO THE MOTHER-GODDESS AND TO THE SUN-BULL-GOD.                                                                                                                   
 -----------------------------------------------------------------------------     
ПЛОЧКИТЕ ОТ ТАРТАРИЯ И ЧАШАТА ОТ СУВОРОВО – ДВА „НАДПИСА” НА
РАННАТА ДУНАВСКА КУЛТУРА И РАЗШИФРОВАНЕТО ИМ
Румен Колев         interpretation of the last 2 signs: "cattle in/of/for the sacrificed")

POSSIBLE TARTARIA TABLETS SCRIBE ANCESTRY ?

POSSIBLE TARTARIA TABLETS SCRIBE ANCESTRY ?

Some time ago, I was puzzled to find in Romanian language far back in time language roots . Going not only to Proto-Indo-European roots, but other depassing this border and going toward Nostratic family. There are papers of romanian thracologist Sorin Paliga related to the same issue.I will make a post with a critic analisis of his papers, and adding my own finds.                                                                                     --------------------------------------------------------------------------------------                                                               OLD EUROPE

My recollection is that nobody analised what Old Europe left to Indo-European family.    In my opinion, there are evidences that Europe is indebtet to Old Europe with a great heritage. In Indo-European culture and particularly in linguistics there are traces of that of Old Europe legacy. There was Vinca Culture, and later Cucuteni-Trypillia from wich remained a great "written" expresion of their cultural developement.                                 
THE VINCA CULTURE MADE GREAT CULTURAL ADVANCES AND MOST OF THE NECESSARY STEPS TOWARD A TRUE WRITING. BUT PITY BEFORE ATAINING THIS GOAL NOT SIMPLY DISSAPEARED, BUT MOOVED, SUFFERED METHAMORPHOSIS AND INTERMINGLED WITH OTHER FOLOWING CULTURES.                                                                      From neolithic archaeologists show no significant finds in the Aegean area,  presenting itself as beeing mostly inhabited. Many scientists are suposing that Aegean culture if not appeared but at least influenced by o possible from north-coming "hyperborean" migration.

Early on from Vinca Culture, emerged italo-celtic branch.                                                  
From https://aleximreh.wordpress.com/2014/07/30/balkan-aryan-waves/


From  https://aleximreh.wordpress.com/2014/07/30/balkan-aryan-waves/                           
"It is therefore likely that the Mycenaean descended from Russia to Greece between 1900 and 1650 BCE, where they intermingled with the locals to create a new unique Greek culture."



There was found DNA clues that micenaeans had Eastern European DNA.

From Ancient DNA analysis reveals Minoan and Mycenaean origins August 2, 2017, University of Washington Health Sciences https://phys.org/news/2017-08-civilizations-greece-revealing-stories-science.html                                                                                           
 "While both Minoans and Mycenaeans had both "first farmer" and "eastern" genetic origins, Mycenaeans traced an additional minor component of their ancestry to ancient inhabitants of Eastern Europe and northern Eurasia. This type of so-called Ancient North Eurasian ancestry is one of the three ancestral populations of present-day Europeans, and is also found in modern Greeks."

Read more at: https://phys.org/news/2017-08-civilizations-greece-revealing-stories-science.html#jCp

Others are sustaining that some of the Cretan minoans were early sumerian migrants.(G.PAPAKITSOS and I.KENANIDIS)Other scientists talking of writing,are hypothesing that Aegean writing it is indebted to early signs of Vinca Culture.                                                
------------------------------------------------------------------------                                                                              The emergence of writing  is basic, necessary related to economical and cultural developement. But the "turbo-engine" was trading.No wonder that Mediteranean, especially Eastern part with example Crete was in the hearth of long-time commercial and cultural exchanges.       -------------------------------------------------------------------------                                                                       Now regarding to Tartaria tablets.                                                                                                 Many top-level scientists found that at the first sight, the tablets signs are closest to those sumerian proto-cuneiform. My explanation is that Near-Eastern and Anatolian migrants brought that signs. That signs uprooted here because there were allready made and ordered, standardised; were advanced in order to beeing able in a great measure to transmit knowledge.  From other perspective, I suppose that Vinca and Cucuteni-Trypillia people were the ancestors of Pelasgians. Pelasgians ancestors advanced toward an writing system but pity, not got to the finish.  Only when part of them came down to Aegean the trade engine finished writing developement.                                                                                                                         
--------------------------------------------------------------------                                                                                It seems that in Tartaria tablets one could detect the effort to sinthesise,adapt and conclude Vinca, Danube writing developement to Aegean gainings.                                                                      

THAT'S WHY THE TARTARIA TABLETS "WRITING" IS NOT SUMERIAN PROPER, NOR AEGEAN PROPER EITHER, BUT COULD BE kind of "PELASGIAN" attempt.

POSSIBLE TARTARIA TABLETS SHOW UNSUCCESFUL ENDEAVOR OF NORTHERN PELASGIANS TO USE THEIR OWN WRITING. AS THRACIANS, DACIANS AND LATINS FINALY THEY USED GREEK WRITING.

IF MOST OF THE TARTARIA TABLETS SIGNS SHOW AN VERY EARLY STAGE IN WICH SEEMS THAT PELASGIANS CANNOT FULLY UNDERSTAND AND USE SUMERIAN SIGNS, THE UPPER PART OF THE ROUND TABLET MAYBE SHOW THE USE OF ARCHAIC GREEK ALPHABET.

THE TABLETS WERE INTENDED TO BE A SOUTHERN PELASGIANS (CRETE?) SPECIMEN TRANSMITED TO NORTHERNERS, TO SHOW (mostly unsuccesful) HOW THE WRITING IS MADE,USED AND READ/UNDERSTAND                                                            --------------------------------------------------------------------------------------------                                                Note                                                                                                                                                        We don't know what language or greek dialect was used, and don't know either if we have on upper half of the round tablet heta-rho or eta-rho ; ddoc/ddoo or rroc/rroo or what is the sign +++++ for sure.                                                                                                    
 EG: POSSIBLE THE UPPER HALF OF THE ROUND TABLET SHOW USE OF ILLYRIAN LANGUAGE ?   Image from https://en.wikipedia.org/wiki/Illyrians

                                                                                                                                                                                                                                                               Su?/50?                                                                                           HERA/HERE                              R R o c
===================================================================== ADDITIONAL DOCUMENTATION =====================================================================                 From The Evolution of the Indo-European Languages Dr. C. George http://webspace.ship.edu/cgboer/indoeuropean.html

c. 5000 bc. Homeland:  The Danube River valley (Wallachia and Hungary).  Farming learned from the people of Asia Minor.  Cultivation of native rye and oats and domestication of native pigs, geese, and cattle begins.  Strong tribal sociey develops. There are many reasons for choosing the Danube River valley:  Farming is possible, although the land is less than desirable to more powerful tribes from the south; the flora and fauna of the valley, as well as for other natural features such as hills and rivers, are represented by the oldest words we can reconstruct; it includes the natural ranges of wild horses which, when later domesticated, would become the Indo-European’s “ace card”;  the area is central to the eventual expanse of the Indo-Europeans, with due allowance for the more rapid expanse commonplace over steppe-lands;  the area is also in close proximity to some of the most conservative recent representatives of the family.

The most compelling reason is the presence of the Danubian culture, with its linear incised pottery, at this same time.  The culture spreads soon after in exactly the directions that would account for the spread of PIE. There are, of course, many other possibilities.  The most common suggestion is the steppes north of the Black Sea, for many similar reasons.  I believe that the strong tribal social structure suggests that the Indo-Europeans were farmers before they were pastoralists.  It is highly unlikely that they went straight from steppe hunter-gatherers to sophisticated pastoralists in one step.

c. 4000 bc. Proto-Anatolians move east to the northern Caucasus.  They would be profoundly influenced by the advanced cultures of Asia Minor and beyond. Proto-Tokharians  move east into the Ukraine.  These people are the most likely originators of the horse culture.  There is also plenty of evidence of ox-drawn wagons with disk wheels in the western steppes. A western dialect emerges on the upper Danube and beyond.  The enclosed steppe of the Hungarian Plain is an ideal position to blend farming with a horse culture.

c. 3000 bc. Copper working, begins in Thrace and the Danube valley and reaches Germany by 3000 bc. Domestication of the horse spreads from the Ukraine.  Within a thousand years, horsemanship spreads from the Ukraine throughout the Indo-European area, even into Scandinavia.  It is the steppe inhabitants who change most dramatically into true pastoral societies.  In the more wooded areas of Europe, horse ownership begins to differentiate a warrior nobility from commoners.  Of course, use of the horse spreads to the non-IE societies of the Middle East as well.

The disk-wheel wagon has spread from Russia across Europe to Holland. The Proto-Anatolians move from the Caucasus to Asia Minor. The Proto-Tokharians continue east to the steppes, towards the Tarim Basin in northwestern China.  They may be the people known to the Chinese as the Yüeh-chi, and may have been the core of the Kushan Empire of the first century AD.

The Proto-Celts separate from the rest of the western dialect and expand west into southern Germany and France, where they develop the Michelsburg culture and begin to strongly pressure the pre-PIE people, likely including the ancestors of the Basques and Aquitanians.  The remaining western dialect tribes edge into the modern Slovenia-Croatia area as well as northern Germany. (R1b– ydna)

The main body of Indo-Europeans expands into Thrace, the Ukraine, Bohemia, and Poland, and begins to differentiate into a northern dialect – Bohemia, Poland, and Hungary, represented by the Funnel Beaker culture and a southern dialect – Wallachia, Thrace, and Ukraine, continuing the Danubian culture. The original inhabitants north and west of the Carpathians, likely speakers of Uralic languages, are pushed further north and east.                                                                                                               
c. 2500 bc.

Bronze working develops throughout Indo-European area.

The Proto-Italics, who speak a western dialect, move west and south from the Slovenia area into Italy. There they would encounter well-established pre-PIE people, possibly the ancestors of the Etruscans and Rhaetians.The Proto-Illyrians, speaking a western dialect (perhaps), move south from the northern Croatia area into Illyria (the Dalmatian coast).
One branch of the southern dialect - Proto-Hellenic - moves south into Macedonia, Greece, and the Aegean islands, absorbing much of the Pelasgian people and culture.  By

1500 bc, the southern-most tribes would establish the Mycenaean culture.
The Proto-Germanics move into Scandinavia. Odd aspects of Proto-Germanic may be due to interaction with northern Celtic tribes, Baltic tribes, and possibly to the presence of native speakers of Uralic languages in Scandinavia.
The remaining body of Indo-Europeans (the Baltic, Poland, Bohemia, the Hungarian Plain, Wallachia, Thrace, the Ukraine and the neighboring steppes) - both northeast and southeast dialects - undergoes the Satem phonetic changes.

c. 2000 bc.

The horse-drawn, two-wheeled chariot, with spoked wheels, is developed in the western steppes, and spreads quickly to the Balkans as well as the Middle East.A branch of the southeastern Satem dialect - Proto-Indo-Iranian - expands from Ukraine and the steppes into Afghanistan, Iran, and into India.  One tribe - the Mittani - goes as far west as northern Mesopotamia. The well-established cultures influence the newcomers greatly, but the Proto-Indo-Iranians of the steppes maintain their language.
The main body of the southestern Satem dialect expands into the Ukraine to become the Cimmerians, leaving the Dacians in the original homeland.  I suspect that the Dacians and Thracians spoke a Cimmerian-like dialect. These people would develop the steppe version of the Battle Ax culture.
The main body of the northeastern Satem dialect - Proto-Balto-Slavic - expands north from Poland into Belarus and the Baltic coast.  With the Germans, they would develop the northern version of the Battle Ax culture.
The Celts expand further into western Europe and, in a retrograde move, back into Hungary.  A powerful society, they pressure the original peoples of western Europe, as well as their own relations to the east.  They develop the Bell-beaker culture and, later, the Urnfield culture.
Anatolians (most notably the Hittites) establish themselves in Asia Minor, where they become a major power.  Their languages are profoundly affected by neighboring non-IE languages.
A second wave of Hellenics (Doric Greeks) moves into Greece from Macedonia.

“DOAMNA DE LA TARTARIA”, SAU CUM O "BUNA INTENTIE ?" RISCA SA DEVINA O GLUMA PROASTA

sau “DOAMNA DE LA TARTARIA”, FICTIUNE SAU REALITATE !?sau                                   “CUM O INTENTIE BUNA PRIN SUPERFICIALITATE POATE SA CREEZE O FANTOMA”

WHO

ARE YOU ??

Parca denominarea “Lady of Tartaria” apartine cercetatorului italian Marco Merlini.                     Dansul bine a remarcat, ca a existat inainte de Sumer si Egypt o civilizatie Vinca extrem de dezvoltata si complexa, care a lasat multe urme si semne, dar cand mai avea doar doi pasi sa descopere scrisul, s-a destructurat,mutat ori transformat.   
De unde a pornit si pe ce se bazeaza ?

Se bazeaza pe faptul ca in situl de la Tartaria/Lunca in 1961 in conditii nu prea clare s-a gasit un grup de artefacte: 3 tablite , oasele unei persoane decedate si alte cca.22 de artefacte.
Localizarea lor relativa a ramas pana in ziua de azi o enigma.                        
Oricum, primul pas gresit a fost acela ca s-a presupus ca au fost toate in acelasi loc.       
 De aici si varsta a fost declarata ca fiind aceeasi pentru toate artefactele.                  
 Insa doar oasele au fost datate (cca 5300 IEN) si astfel au fost incadrate ca apartinand Culturii Vinca.                                                                                                                                           

Ulterior, diferiti arheologi au realizat ca ceva nu este in ordine. Pe de o parte                       

– unele artefacte (excluzand tablitele) ii indreptau spre o perioada mai tarzie, iar pe de alta parte                                                                                                                                                 
– chiar tablitele (dupa analiza semnelor) au inceput deasemenea sa conduca spre o perioada ulterioara lui 3.000 IEN.
                                                                                                          
Trebuie retinut ca pe intreg Globul Pamantesc nu s-a gasit nici-o urma de proto-scriere inainte de 3.500 IEN. 
De fapt varsta tablitelor nu se va mai putea determina exact niodata (cel putin pana nu se va gasi o noua metoda de determinare).Acum se pune problema cum se rezolva urmatoare dilema,avand :                                                                       

 – pe de o parte oasele  cu varsta determinata ca fiind 5.300 IEN , apoi                                  – alte artefacte cu varsta incerta intre 5.300 si 2750 (2750 exprimata de unii arheologi), si                                                                                                                                           
– tablitele cu varsta necunoscuta, dar cea mai mare vechime nu poate depasi 3200 dupa unii si 2750 IEN dupa altii (exprimata de arheologi si epigrafist de marca)                             ———————————————————————-                                                                           Acuma va intreb eu, cum poate o persoana decedata la 5.300 IEN sa scrie niste tablite in 2.750IEN !??                                                                                                                                        
Daca socotim:5.300-2.750=2.550 de ani.Buun! 
Acum sa vedemde curiozitate,sau de amorul artei cate generatii ar fi cuprinse.Am inteles ca in vechime o generatie se poate socoti ca avand 30-40 ani.
Sa luam maximum, adica ca ar fi trait mult.2550:40=63,75~64generatii.
Deci chiar daca ar fi scris tablitele stranepotii decedatei,tot mai raman 60 de generatii in care inca nu puteau fi scrise.
Deci decedata putea fi in timpul liber orice,si doamna si saman si persoana de vaza ori preoteasa.
Dar nu putem fi siguri, pentru ca nu ne mai putem baza pe faptul ca ea ascris tablitele si le folosea la ritualuri. 
Si arheologii sau alti oameni de sttinta, in loc sa ia lucrurile mai cu incetul,cu scrupulozitate si precautii, s-au angrenat inca de la inceput impreuna cu altii cercetatori straini in “descoperirea celui mai vechi scris din lume’ sau “scris inainte de Sumer”.                                                                                                                                                    —————————————————————————-                                                                     

Se pare ca realitatea cruda ne indreapta spre un scris de tip sumerian, adica quaasi-sumerian, introdus in Europa (Creta) de primii colonizatori ai insulei.                              

Cercetarile actuale avanseaza ipoteza cum ca minoanii au fost de fapt primii colonisti sumerieni (si mai apoi urmasii lor).
Acest fapt este sustinut de cercetatorii, (culmea, chiar greci !) EVANGELOS PAPAKITSOS si IANNIS KENANIDIS, care sustin ca desi minoanii ar fi putut inventa scrisul lor, (pentru ca puteau,de ce nu ?) insa au preferat sa ia unul gata facut (semne sumeriene) cu atat mai mult cu cat se potrivea limbii lor de tip aglutinativ. Adica banana- language, o limba in care cuvintele se formeaza prin legare de particole fara prea multa gramatica ba-na-na , sau ex. in minoana zeita I-SA-SA-RA).
Cautand ce limba foloseste particole de tib CV (consoana-vocala) cum era in minoana si chiar si in miceniana, singura limba gasita cel mai aproape a fost sumeriana ! (..continuand ex de mai sus zeita I-NA-NA )
Astfel inventand o Doamna care nu a existat in sensul ca manevra tablitele, riscam sa decolam de pe realitate si sa ne facem de rasul lumii. ACEASTA INTRODUCERE A SEMNELOR IN CRETA, SE PARE CA A AVUT LOC INTRE 2.500-2.200 IEN (sa verific!)UNDE 2200 ESTE TIMPUL CAND SE FOLOSEA SCRIEREA CRETANA HIEROGLIFICA (aceasta afost urmata de Linear A,scrierea cipro-minoana si apoi Linear B) Acesti cercetatori sustin ca la baza acestor scrieri enumerate mai sus a stat un gen de scriere PROTO-LINEARA EGEEANA.

DECI ESTE POSIBIL CA TABLITELE SA FI FOST SCRISE SI MA TIRZIU,CAZ IN CARE ECARTUL DE TIMP OASE-TABLITE POATE AJUNGE LA UN MAX.DE 3.000 DE ANI! FRATILOR,Jale! (adeca jale cu J mare)

IDENTIFIED: AGE, PLACE OF ORIGIN, THE SCRIBE AND WRITING FOR TARTARIA TABLETS

IDENTIFIED:                                                                                                                                  AGE, PLACE OF ORIGIN, THE SCRIBE AND WRITING FOR TARTARIA TABLETS

In the Tartaria tablets research endeavour, participated the folowing professional categories:

- Archaeologs without epigraphy qualifications
- Archaeologs with epigraphy specialisation
-Specialists in the writing systems field (Assyrology>sumerology>early sumerian writing=proto-cuneiform=proto writing)
- Multidisciplinary specialists (usualy not excelling in none of them)
- Autodidact/amateur individuals researchers

So the resulting opinions are an array of diverse and dispersed (not necessary the same or converging) on particular issues.There are as diverse as grouping in folowing categories:

-The tablest are pertaing to Danubian Civilisation (in particular to Vinca-Turdas Culture), “Turdas villager” scribe, local script, and due of the complex and archaic nature, cannot be “read”

-The tablets are close folowing the very begining of sumerian writing (proto cuneiform=Late Uruk 3.200 B.C.)  so could be somwhere 2.750 B.C. Not sumerian writing proper but quasi-sumerian.The scribe could have been an sumerian prospector/trader?

- Were evidentiated connexions and symilarities betwen sumerian and Aegean writings.In Aegean the PROTOLINEAR SCRIPT, not apeared as a local invention, but carried by sumerian migrants wich were in fact early minoans.The spoke a creole language having sumerian characteristics. )./E.PAPAKITSOS & I.KENANIDIS                        Out of me,no one compared, paired or evidenced similarities of the Tartaria tablets signs with those sumerian proto-cuneiform and Aegean scripts.

- One low-level comparison attempt  between Tartaria tablets signs and Linear B-ones/ COGNIARCHAE

If allmost some moths before, close to one year, I allready stressed that Tartaria tablets signs are similar and has the closest correspondence in sumerian proto-cuneiform ones, and weighting that it is improbale to have an native sumerian scribe, I hypothesised that the tablets are somhow originating from Aegean area.The scribe could be an sumerian prospector or trader? Bu rather an sumerian follower relative. Despite I read some four Evangelos Papakitsos and Iannis Kenanidis papers,wich showed that Aegean scrpts (begining with Aegean Proto-Linear) were originating insumerian early writing, and minoans were in fact early sumerians migrants settled in Crete. 
They’re opinion is that the sumerian matrix and was preserved and mentained till, toward our era, and could be noticed also in eteocretan script. Maybe due I took those assertions rather as hypothesis, and because their excursus was not much convincig to me, not gave much attention. In particular cause in one of my papers I analised their comparisons where I put my remarks that there are not the best choosen ones , me beeig able to give some much accurate, and much better ones.

Interesting enough at that time I was still searching for the place of the scribe, where was from!!. 
With consistent delay came the “flash”, and realised that much more than sugesting the origin of Aegean writing (wich allready I noticed to be similar to the tablets) but also minoan’s origin.
I searched for the scribe in every places, but realising that could not be an sumerian native only if teleported ! 
…..But the “sumerian” fellow was at only two steps away in Crete, “disguised” as an minoan!
So wasn’t necessary to search for a trader wich arrived in Vinca area, from far-away Sumer, could com easier from much closer Crete.If the tablets were written in Crete, there is no need for travelling of the scribe.Now I explain completely myself why the signs are in great measure alike, but not identical with those sumerian ones, but a part of them are similar with those used in Anatolian and Aegean writings. Knowing at an satisfying level sumerian proto-cuneiform writing, but also those Aegean-ones, I was able to make an double comparison (in the same time with those sumerians and also with those Aegeans).This task was’nt complete by anybody else You see, there happened many times in history, when scientists are anticipating an phenomenom, thing,etc. But only after this phenomenom was practicaly phisically evidenced, the hypothesis become an real fact Here, we have something alike, scientists Papakitsos and Kenanidis come with the theory that early minoans were sumerian migrants wich knew sumerian proto-cuneiform signs, and adapted them to Aegean (Crete) as Cretan proto-linear script appeared.Papakitsos &Kenanidis showed how this fact is real,interpreting Psycro inscription and Malia stone.  But the perfect exemple is coming from tartaria tablets, because its showing and preserving in a much great measure, pregnant and strong sumerian characters.

In the summer, got in touch with canadian scientist Richard Vallance, and he encouraged me, enlisting me in an World List of Aegean Bronze Age researchers.
When got in touch with Papakitsos-Kenanidis team, and told them that I found similarities and connections of Tartaria tablets signs with Aegean writings, they were rather reticent, making me to understand that our tablets are preceding (by far?) the Aegean-ones and not commented on some possible connections.

NOW, I AM SURE AND AFFIRM, ALLEGE, ASSERT THAT:

-THE TABLETS ARE REAL, NOT FAKES; THEIR AGE IS AFTER 3.000 B.C., POSSIBLE EVEN 2.500-2.000B.C

- PLACE OF ORIGIN: AEGEAN AREA (CYCLADES BUT MUCH SURE CRETE), BUT EVEN TARTARIA village (see clay analisis)

- SCRIBE IDENTITY: MINOAN (SUMERIAN MIGRANT SETTLED IN CRETE,OR A RELATIVE/FOLLOWER) OCCUPATION:CRAFTSMEN/METTALURGIST-PROSPECTOR/TRADESMAN

- WRITING : QUASI-SUMERIAN     
Note:
Apparently there are on all three tablets a mixture of 3 type/cattegories of signs.There are strong clues that upper half of the round tablet is the only part wich is containing TRUE WRITING so, kind of coherent message; and it is written using newer signs ( archaic greek)
.
- LANGUAGE: KIND OF CREOLE (PRESENTING STRONG SUMERIAN TRAITS)
=========================================================

Now, upon me, remain only two possibilities.If it is about an early phase of writing, it could be:

-A reflection,exemplification,local European production of that sumerian-ones or minoan-micenaean, or more, even a true local variant of such early writings.                                                                                                     - A reflection (imitation) of one cited above, and more having added a true writing only in upper half (of round-one)                 

BUT ONE LAST OBSTACLE REMAIN:
EVEN IF ONE COULD "READ" THE TABLETS, (EG. HAVING WORDS COMPOSED FROM LATIN LETTERS WITH APARENT RANDOM SUCCESION) IS DIFICULT TO EXTRACT WORDS WITH MEANINGS, AS YOU DON'T KNOW THE LANGUAGE WICH WAS USED, SO IN FACT CANNOT "LISTEN" THOSE WORDS IN RESPECTIVE LANGUAGE.                                               
AS IN THE CASE OF MINOAN LANGUAGE and WRITING(LINEAR A),WE DO NOT KNOW WHAT LANGUAGE SPOKE THE SCRIBE !

EXCERPTS FROM MR. EVANGELOS PAPAKITSOS and IANNIS KENANIDIS PAPERS:


A Comparative Linguistic Study about the Sumerian Influence on the Creation of the Aegean Scripts Ioannis K. Kenanidis1 , Evangelos C. Papakitsos*2 file:///C:/Users/User/Downloads/Minoan_Sumerian.pdf
COMMENTARY                                                  
Every script in the world always conforms to the special features of the language it is initially devised for, and every script always is precise enough in phonemically representing the language it is created for. It is clear that the Aegean scripts are syllabic of the CVtype (consonant-vowel); i.e., all signs represent syllables ending in a vowel only, with no consonant clusters. This means that the script was originally devised for a CV-type language, namely a language in which all consonants are followed by vowels. There are many such languages, a very well-known of them being the Japanese. When a script is devised for a CV-type language, it is naturally a CV-type syllabary, as it is actually the case with the Japanese kana syllabaries. A CV-type pure syllabary was never initially devised for any language other than a CV-type language. While today we know of many CV-type languages, all Greek dialects were (and remain) foreign to the CV pattern. Another linguistic direction is required [2]: “In contrast with mainland Greece, Cyprus and Crete in the 2nd millennium are both multilingual societies in which the different languages are written down. It is tempting to assume that this points to stronger links with the Near East than with Greece.” It is recognized by eminent Greek linguists that there was a linguistic substratum in the Aegean area (e.g., see [33][41]). Other proposals about an adstratum instead [42] do not change the essence of our argument. This substratum is not regarded as Indo-European (IE), based on the unknown etymology of plant-names and toponyms [33]. The Aegean scripts denote that a CVtype language was spoken by those who created them. None of the IE languages is of the CV-type. The mainland of Greece and of Anatolia was inhabited by people speaking IE languages. The existence of a Semitic language (e.g., Akkadian) is also very probable in Crete, but it is not of a CV-type either. All such proposals roughly correspond to all the different ethnic groups that may have inhabited Crete or retained merchant delegations there. None of them, though, spoke a CV-type language. Ancient Egyptian was not of the CV-type, if we judge from Coptic, from renderings of Ancient Egyptian in other languages and from the ancient Egyptian script itself. Egyptian was an AfroAsiatic language, and those languages are generally not of the CV-type. Consequently [9]:                                                “Without doubt, the Minoans at the beginning of the second millennium did not 're-invent' writing independently, even if they were well able to take their first steps in this direction without knowledge of the Mesopotamian or Egyptian systems. However, starting with ideas from elsewhere, they created an original and astonishingly uncomplicated system for recording the sounds of their language by means of signs.” So, the issue of identifying the language behind the Aegean scripts remains the same: all the languages around Aegean, which we know of hitherto, are incompatible to the CV-pattern. CV-type languages are usually agglutinative ones.
 Duhoux suggests that Linear-A is "agglutinative rather than conjugating"because of the high number of affixes it contains (in 59% of the words) compared to Linear-B (12% respectively) [43]. What we seek is a non-IE agglutinative language of those times (3rd millennium BC) to fit with the “kana” pattern of Linear-A/B and their predecessor. Olivier states that [9]: “A priori, no language attested in the third or second millennium from the eastern Mediterranean or its surrounding areas can be excluded … the languages spoken by people from the coasts of Asia Minor or Syro-Palestine must be favoured. … Between 3000/2600 and 1450, the period of the birth and development of Cretan Hieroglyphic and Linear A, … the introduction of a language known to us from elsewhere is unlikely.” The nearby agglutinative language of the 3rd millennium BC, well-studied and recorded, is the Sumerian. Additionally, the only highly civilized people close enough, speaking an agglutinative language well known to have CV-type phonotactics, were the Sumerians (or the bilingual Akkadian scribes / scholars because of the “sprachbund” [44][45]). Thus, the present research had been directed towards a comparative study for discovering any relation between the Sumerian language and the Aegean scripts.                                                                   
EVIDENCE                                                                                                                                    Firstly, we will concentrate on some aspects of linguistic taxonomy and methodology before we proceed to the direct evidence of the last subsection (A Sample).                             
A Protolinear Script. There is a suggestion that Linear-A constitutes a linearization of the Akkadian cuneiform signs [22]. However, it is normal for a script to evolve from pictorial signs (as the Sumerian pre-cuneiform and the Aegean writing signs too) into non-recognizable forms (as the late cuneiform), and rarely the reverse. It has been recognized that Linear-B is not simply a derivative of Linear-A, just as the creation of the Aegean scripts does not constitute a simple process of evolution, from the Cretan Hieroglyphics to Linear-B [27][35]. There are Aegean inscriptions found in various places (Tel Haror, Tel Lachish, Samothrace and Troy) that both Linear-A and B scripts have to be taken into account for their interpretation [46]. Although there are several different theories for explaining this necessity, there is also the possibility of a Protolinear script [47], which both Linear-A/B evolved from, for conveying different languages. In other words, the Protolinear could be the parent of Linear-A and Linear-B, while the Cretan Hieroglyphic could be regarded mainly, but not exclusively [8], as the decorative and ritual form of that system for use especially on seals [48].The hypothesized Protolinear script consists of 120 syllabograms of the V and CV patterns, as they have been found in Linear-A/B scripts, one for each syllable of a dialect close to the Archaic Sumerian language. There are also a few signs of disyllabic nature. The signs are those that are common to both Linear-A and B scripts (62) and those that are exclusive to each syllabary. So, we have a script of simplified icons (signs) depicting items, where the phonetic value of each sign is related to the Archaic Sumerian word for the depicted item. Many of them are related to the associated signs of the Cretan Hieroglyphic, also to the Sumerian pictograms and sometimes to the cuneiform equivalents. A sample is presented in the next section, for the curious reader. One debatable feature of such a script would be the interpretation of the items depicted by the icons and another is the assignment of the phonetic value to each sign.                                                    THE.METHODOLOGY                                                                                                                       We cannot recognize what an ancient sign depicted by simply looking at a modern hand copy of it in a list presenting a tentatively reconstructed syllabary and putting our imagination to work. To go to the pictorial origin, we have to see all forms of the letter in all related scripts, and observe carefully how objects are usually depicted in the Minoan art. We have to study, in addition, the logograms of Linear-A/B and the Cretan Hieroglyphic too, and also observe the tendencies of each script. When the hitherto unknown phonetic value of signs (e.g., /ru/, /to/) is discovered, then it is tested in the actual context of the signs and so confirms that it makes really good sense. It should be understood that the original script was pictographic as much as it was linear: every sign was a sketch readily recognizable by all as a common object, the whole name of which was instantly recalled by all speakers of the language of the nation that created the script. The comparative study was conducted in parallel including four factors: § the depicted object and its sign of the Aegean script, § the relation and similarity of the previous sign to equivalent Sumerian ones, § the assigned phonetic value of the sign of the Aegean script, § the similarity of the previous phonetic value to Sumerian words denoting the depicted object. At least three factors should match in order to confirm the relation. Following the above mentioned methodology, the entire set of Linear-A/B signs can be identified as monosyllabic (rarely disyllabic) Sumerian words naming the depicted objects, noting that in Sumerian language a closing consonant of a monosyllabic word (i.e., CV-C) was not pronounced unless it was followed by a vowel in the case of compounding or affixation. Thus, in all the following examples, the closing consonant is separated by a dash. This is a predominant rule of the Sumerian phonology that facilitated the process of creating the syllabary by using the rebus principle. The rebus principle is merely the use of a picture to stand not for the object depicted, but for the name of the depicted object, even in context where the sound of that name stands for something totally different than the object shown. There is an important rule that always goes together with this principle: the whole name of the depicted object is used and not a part of the name (unlike the acrophonic principle). 
The rebus principle had been invented by the Sumerians, according to Fischer [4], whose influence expanded to Nile, Iran, Indus Valley and maybe to the Balkans (as he suspects, and it is argued too herein, through the Aegean scripts). The phonology of the used words is of a dialect close to, but simpler than, the Archaic Sumerian (the reconstruction is explained, together with the transcription system, in [49])……………………………
DISCUSSION                                                                                                                                   Based on the very small number of different handwritings that are recognized on Linear-B tablets of Knossos and Pylos (111 of the so called “Hands”), Hooker [54] suggested the existence of a scribal guild, favored also by Finkelberg [46]. This is a reasonable explanation for the observed incongruity of Linear-B to the phonotactics of the Mycenaean Greek language, provided we deduce that the scribes were non-Greeks, and their script was originally devised from a nonGreek language. 
This can also explain why they did not even slightly enhance the script in order to represent the Greek language somewhat more precisely, for their own convenience, just as the Cypriot Greeks did with the Cypriot Syllabary. This could also be the reason why Linear-B was completely forgotten when the Achaean palaces declined, so the non-Greek scribes working there could not find employment. Then, no documented writing system was used in Greece for a period of about 350 years, after which the Greeks adopted a non-Greek script again: the Phoenician alphabet………………………..
The notion of a scribal guild can be extended in the past, for the creation of Linear-A and the Cretan Hieroglyphics, as a minimalistic reasonable assumption (although many evidence regarding culture and religion indicate a much stronger oriental relationship that its presentation is beyond the scope of this article). A relatively small number of Sumerian seals-makers and scribes could have been hired, from the communities of the Levant [55], in order to create the necessary infrastructure for the development of the contemporary commercial best practices. 
They were, after all, the original inventors of such practices with a long tradition and expertise at the end of the 3rd millennium BC. Even for the case of bilingual Akkadian scribes, the choice of the Sumerian language for devising the Aegean scripts would be a significant advantage, because monosyllabic words could be easily found in order to match common or culturally important objects for the signs of a syllabary. The creation of these scripts is a distinct trade-mark compared to the rest (Eastern Mediterranean) of that era, which is an ever-lasting desirable commercial asset. 
Once the Minoan authorities / society had decided to develop their commerce, both domestically and overseas, they would inevitably have to deal with the contemporary international best-practices (i.e., sealing of goods and keeping records). For example, about the usage of clay sealings [9]: “As in the Near East such objects generally served to secure the integrity of the contents of various types of container.” About the usage of scripts, it is suggested that Linear-A conveys a Semitic language (as a lingua franca) written by Luwian scribes in order to adhere to international standards [22]. In this respect, generally and diachronically, there are only two options: § to develop the required practices from scratch, which is usually a costly and slow trial-anderror process or § to hire professionals, being experts in the required practices. The latter option is mutually beneficial. 
The employer acquires the proper practices quickly and safely, while the employees assure their prosperity by having the monopoly of know-how. Who possessed such know-how at the end of the 3rd millennium BC? Sumerians proved to be excellent traders and colonists throughout the entire Near East, even at the end of the Uruk period [56]. According to Kramer [57]: “…by the third millennium BC, there is good reason to believe that Sumerian culture and civilization had penetrated, at least to some extent, as far East as India and as far West as the Mediterranean, as far South as Ancient Ethiopia and as far North as the Caspian”. Crete was known to Mesopotamia at least since the era of Sargon the Great, who lived approximately between the 24th and the 23rd centuries BC [58]. 
On the tablets of Mari (18th century BC) it is stated that “the hand of Sargon” had reached places beyond the “upper sea” (Mediterranean) as far as the island of copper (Cyprus) and Kaptara.
The latter is regarded as the most ancient reference to Crete, “Kaptara” being its Akkadian name [14]. The name for Mediterranean in Sumerian is “ab-ba igi-nim”, found in many texts, e.g. in the inscription on the statue of Gudea (Period: Lagash II, ca. 2200-2100 BC): “a-ab-ba igi-nim-ta (from the Upper Sea = Mediterranean) a-ab-ba sig-gasze3” (to the Lower Sea = Persian Gulf). 
Even with some chronological inaccuracy, the previous period (24th to 18th centuries BC) adequately covers the creation time of the Aegean scripts. What could be the “hand” of Sargon the Great other than merchant stations and/or delegations, at least? Nevertheless, both linguistic and non-linguistic pieces of evidence, that will be presented shortly, indicate a longer and deeper Sumerian influence on the Aegean civilization of the 3rd and 2nd millennia BC.
CONCLUSION
In conclusion, the inadequacy of the Linear-A/B scripts to convey properly the phonology of the Mycenaean Greek, or the other languages proposed in Crete, is attributed herein to the origins of those syllabaries. Notably, considering the conveyed languages by Linear-A, all proposals are based on the comparative study of toponyms and anthroponyms or divinity names. Such a study, though, is not necessary when an Akkadian name is written in Akkadian cuneiform or a Luwian one in a relevant script. 
The Aegean scripts are acting like a distorting filter for the languages that they convey, making their identification even more difficult. Such a distortion is more or less always expected in the conveyance of words transmitted through a foreign writing system. Based on the previous linguistic evidence and conditions, it has been suggested that a very suitable candidate language as the base for creating the Aegean scripts could be the Sumerian. Being an agglutinative language, it both exhibits the matching syllabic pattern of the CV-type, and it can justify the phonetic values of the Linear-A/B and Cypro-Minoan signs as well, through the rebus principle. It is also suggested that the formation of each Aegean script could have been conducted in the late 3rd millennium BC by means of absorption from a parent script, named Protolinear, being created by a scribal guild of Sumerian linguistic origin.

A Decipherment of the Eteocretan Inscription from Psychro (Crete) Ioannis K. Kenanidis1* and Evangelos C. Papakitsos file:///C:/Users/User/Downloads/Kenanidis432017ARJASS36988deciphermentofinscription.pdf

INTRODUCTION                                                                                                                                   In 1958, Marinatos [1] reported the existence of an inscription from Psychro (Crete) that belonged to the private collection of Dr. S. Giamalakis (Fig. 1). It was engraved on a piece of stone, the shape of which showed that it was made to fit into an architectural construction, namely into an empty triangle formed over a door of a very small structure. Based essentially on Kritzas [2], Brown [3] attempted to prove that the inscription is a modern fake, his main argument being that it contains what appear to be Minoan syllabic signs (those three at the bottom of the inscription), that is signs of a script supposed to have been extinct 900 years before the inscription that was dated to 300 BC; another one of Kritzas’ arguments is that the inscription is on baked clay and not stone – something that has nothing to do with the language of the inscription anyway. Kenanidis & Papakitsos [4] have presented all arguments proving that the inscription is genuine. Those who discarded the inscription as a fake have relieved themselves of the obligation to interpret it, however, as we hold that the inscription is genuine, we must interpret it here in accordance to all our previous research.
First by Marinatos [1] and later on by Brown [5] and Duhoux [6], the inscription was attributed to an Eteocretan language. Numerous attempts have been made to interpret the text. The proposed languages included Hittite [7] and Semitic [8,9], even Slavic [10]! The shortcomings of each one of the previous attempts were reasonably exposed by Brown [11], although the latter implies that there was only one non-Greek language spoken in Crete (contrary to the linguistic evidence which makes it clear that more than one non-Greek languages were spoken in Crete [12,13,14]). Thus, to all those readers interested in the Eteocretan languages of ancient Crete, a novel approach of decipherment is presented herein, for the first time based on the Cretan Protolinear script theory [12] that suggests the affinity of the Psychro inscription to the Sumerian dialect of Crete. 
It will be demonstrated that the application of the Sumerian language for this decipherment provides a coherent and meaningful interpretation of the text on this inscription.                                                   2. DECIPHERMENT GUIDELINES                                                                                            Knowing that the conventionally called Eteocretan inscriptions convey more than one language, we had to determine which language is conveyed by the Psychro inscription. One factor that makes this difficult is that the inscription language is for the most part rendered in a script foreign to the language conveyed, so the phonemes are not expected to be rendered with precision [4]. Another difficulty is that even when the language is determined, we still have to understand the specific features of that language for the given date and place. These difficulties have been overcome by following the latest linguistic evidence about the affinity of the Aegean scripts to Sumerian [15,16,17,18] and especially by confirming the existence of a Cretan Protolinear script [12,19,20,21,22,23, 24]. It is exactly the following three facts that made others regard the inscription as fake or unreadable, which opened our way to read it:1) We were facilitated by the fact that this inscription is well preserved, with not even one letter missing or unreadable. 2) The three Minoan syllabograms on the inscription clearly point to the fact that the whole inscription is in the language of those who originally created the Minoan civilization along with the Cretan Protolinear script. 3)
 It was impossible for others to explain how the Minoan script survived until 300 BC, while that very fact confirms the existence of the Cretan Protolinear script: As explained in previous works, the Cretan Protolinear script was created by the Minoans, who were Sumerian settlers [12,20,21,22]; the Cretan Protolinear script in the form of Linear A and Linear B was used by all the different nations that inhabited Crete and the Aegean.                                               However, in the hands of non-Minoans (i.e. Hands of nonSumerians) the Cretan Protolinear script was distorted as time passed, and eventually forgotten, because the script was difficult for nonMinoans (=non-Sumerians).                                                              
On the other hand, in the hands of Minoan Sumerians the Cretan Protolinear script could not be significantly distorted or forgotten, no matter how many generations would pass.                              This is because the Cretan Protolinear script (henceforth in this work referred to simply as “Protolinear”) was phonetic and pictographic at the same time: every phonetic (syllabic) sign was a sketch of a readily recognizable object in the Minoan Sumerian culture.                                So, for those who had Minoan Sumerian as their first language, every syllabic sign had the native name of the thing that the sign depicted, and they always knew what the signs depicted.       They could not alter the shape of the signs lest they would be no more recognizable and if a sign was not recognizable it could not have a native (Minoan Sumerian) name, so it could not have a phonetic value.                                                                      
 This is why the Protolinear script could not be altered in Minoan hands; while for non-Minoans there was no connection between depicted object and phonetic use of the Protolinear signs.                                                                                                            
 Therefore, the Protolinear script survived unaltered as long as the Minoan nation existed.               And we know that the Minoan Sumerian language, as other non-Greek languages spoken in Crete, was spoken not only until 300 BC but also much later [21], because those populations were relatively isolated geographically and socially.                     
The Sumerian language in Mesopotamia remained in use as a classical and hieratic language until about the year 100 AD [25].                                                                   
It was easy for a language to be kept for many centuries among different languages when there was no obligatory schooling and no mass media. An example is the many languages mentioned in the Bible, Acts 2, all spoken during the 1st century AD, including Elamite, a language no less old than Sumerian, and languages “of Mesopotamian people” among which were Sumerian and Akkadian – all those languages, when the eastern part of the Roman empire was rapidly Hellenised and the empire’s official language was Latin. We shall also briefly mention what is detailed in [21], that even after the pre-Greek languages were forgotten, they left some impressive phonological traits in some dialects of Crete and other islands: the most outstanding being a retroflex “l”; also, a strong tendency to eliminate consonant clusters, and the emphatic pronunciation of some stop consonants, to mention only a few traits that have been left from Sumerian. Apart from linguistic evidence, there is an abundance of cultural instances that show the influence and lingering of the Minoan Civilization even through the Classical times. The comparison of the Bronze Age Aegean (culturally Minoan) wall paintings to the Etruscan ones reveals a remarkable resemblance [26]. Those who have an idea of the Minoan religious symbols and ideas will be impressed by the coins of Tenedos island (Fig. 2) minted in the 5th and 4th centuries BC. Such coins are presented here because they most loudly prove that the Minoan Sumerian culture and religious ideas were totally alive in some Greek city states inhabited by Greeks of Minoan ancestry at least until the 4th century BC, while those symbols are a mystery for modern archaeologists as they were for the other ancient Greeks as well, who could only make up some totally fanciful and frivolous interpretations [27,28,29]. To be serious with the interpretation, on the right of Fig. 2, the coin’s verso depicts a double axe which is the most renowned religious symbol of the Minoans. The double axe symbolised the power and the duality of God An, the supreme deity of both the Minoans [12] and the Mesopotamian Sumerians [30]. The double axe symbol was also used as a very common syllabic (phonetic) sign in the Aegean scripts [12,20,21,23] and it is present, although not so common in the Sumerian (preCuneiform) pictography [17,22]. On the coin’s recto, the double-face head (manly face left, woman’s face right) clearly symbolised the same duality of the deity (masculine-feminine, yin-yang Kenanidis and Papakitsos; ARJASS, 4(3): 1-10, 2017;as we would say in modern terms). Although this representation can be interpreted as Zeus and Hera (or another mythological couple) as many scholars speculate [29], yet such a dual head representation has never been seen elsewhere in the entire Antiquity: it was a non Greek symbol that surprised the Greeks, but it was quite ordinary for the Minoans who saw a dual deity everywhere and represented the duality of the deity by all their religious symbols. Since such important Minoan Sumerian cultural elements were kept alive in a Greek city state during the 5th and 4th century BC, we cannot find any justification for considering strange a Minoan inscription in Crete of the year 300 BC. We understand that the Psychro inscription (Fig. 1) spoke about something related to building and dedicating a small shrine, because of the stone’s triangular shape that was obviously made to fit into a triangle formed over a door of a small structure …………………..

1. CONCLUSION

It has been demonstrated so far that the Psychro inscription can be meaningfully deciphered through the conservative Sumerian dialect of Crete, spoken by the the scribe’s ancestors who had invented the Cretan Protolinear syllabary.This particular scribe used the Greek alphabet for the most part of this inscription, because it was the writing system known by all people in Crete and around the Aegean, and also because the Greek alphabet was the only available writing system proper for writing on hard material, and the only system actually used for stone inscriptions. On the other hand, the Cretan Protolinear syllabary was used almost exclusively on unbaked clay tablets, and it was only suited for writing on soft material; still, the word “cətiləə”, being so important culturally and ritually as explained, had to be written in the Cretan Protolinear that was the national script, hailing from a most ancient tradition, for the person who wrote the inscription. It is something analogous to using some Greek phrases in the Orthodox Eucharist ceremony conducted in a non-Greek language. Although it is only this stone that we know of the whole structure built, the inscription was true when it said “this shrine will not ever collapse”: it is the shrine of the Minoan civilization.